Your email address will not be published. Has replaceable filters to boost bass or highs I which is a nice touch. The switching technology is some required value-add. The FA9 is an impressive upgrade on the FA7, no doubt about that. The FA9 is not the most demanding to power so the R3 Pro has no problems driving it also. The cable is terminated with an anodized right-angle 3.5mm TRSS jack with excellent strain relief. As it turns out, the FA9 also gives the user the ability to alter the frequency response, but in … I recently ordered the FH5, FH7, & FA9's. The FA9’s mids are smoother, more refined and when the low-end is not pumping out wave after wave of EDM energy it also sounds way more complex or holographic compared to the FH5. You will also perceive less upper treble extension compared to the FA9 when that treble boost is turned on. product: https://audio46.com/products/fiio-fh7-hybrid-driver-in-ear-monitor Worth all the hype? Another key feature of the new FiiO FA9 6 Knowles Balanced Armature IEM is the extra-long sound tube, which winds inside the tiny cabinet and is no less than 80.6 mm long. VS FIIO FH7 (450$) The FH7 is flagship hybrid earphones from FIIO, it has an all-metal construction and it’s bigger and heavier than FA9, making it a bit less comfortable. That means imaging cues are much easier to pick out compared to the FA7. The FH7 follows a very different aesthetic and internal configuration to the FA7. One of the key differences is the better level of contrast that prevents the high quantity of bass response from the FA9’s low-end driver from sounding overly bloated. Having S2 down for bass boost makes memory recall for the settings difficult to manage. I tend to keep the treble boost on at all times. This is an all-BA 6 driver universal monitor configuration rated at 16-32Ω and 111dB SPL. You can tell the difference in the air pressure coming at your drums when that dynamic driver hits a sub-bass note. FiiO FH7 Review IN the BOX FIT I don’t know if my ears were just made for these buds, but the FH7 is one of the best fitting IEM’s I’ve ever tried. In contrast, the impedance switch did make a big difference to the noise floor when paired with Hifiman’s R2R2000 which can be quite brutal in terms of noise to sensitive IEMs. It brings some welcome odd-harmonic presence in the FA9 instrumental and vocal timbre as well as enhancing perceived clarity in the mids and treble. Timbre sounds more accurate by shaving off a little warmth off and adding some welcome contrast to the low-end. A wonderful and amazing sound from an extremely comfortable pair of IEMs. The sensitivity rating for the FH7 is on the easy side of the FA9, however, at just 16Ω and 111dB compared to the variable 16-32Ω, 111dB rating of the FA9. I am sort of expecting an FA9 at some point though not sure when. Female vocals in particular with bass and treble boost on sound forward and nicely balanced. The FA9 is all change with a dual HODVTEC-31618 woofer for the lows, dual EJ33877 for the mids, and a dual SWFK-31736 for the highs. The impedance of the new FiiO FA9 6 Knowles Balanced Armature IEM is specified at 16 to 32 ohms, and the sensitivity is a remarkable 110 dB. This site is a free online resource that strives to offer helpful content and comparison features to its visitors. The lightweight and small y-split barrel are similarly finished with a detachable chin cinch. Nicely enough, they fit perfectly. This is a mixed 5 driver build instead of 6 BA inside the FA9 consisting of a single beryllium-coated 13.6mm dynamic driver for the lows, a single Knowles DFK for the mids, and a dual BA SWFK-31736 for the highs. I am curious though if the switch can be applied to their hybrid range which would be something. Treble is nice and bright without being too tiring. Separation and clarity are key for the FA9 and the DX160 does it better. The bass response is also tighter which provides more room for vocals and instruments to breathe. The FiiO FA9 is the company’s brand new flagship monitor featuring 6 BA drivers per side and unique switchable sound signatures. Advertiser Disclosure. Of course, there is more room when you use numbers and we have seen much higher driver counts so I cannot discount FiiO coming out with an FA11 and FA15 but for now, this is their flagship in the FA lineup. Design – FiiO FH5 vs Shure SE425 Comparison Review Driver Housings . You will be able to pick up on spatial cues a bit better in the FA9’s taller and more open sounding staging quality. The FA7 does not use filters, nor does it need to due to the switch mechanism doing the work of the filters. This delivers a higher level of contrast and reduces the warmth and softness creeping into the midrange performance. And now we have a totally titanic, titan vs titan tournament. The low-end is big for a BA driver though I have to say, I still have a preference for their hybrid dynamic driver tuning from the FH7. Construction is resin plastic, and housing is smaller and lighter, so it’s more comfortable than FH7. Without the treble on, the timbre is too soft for me with overly rounded instrumental notes and vocals. It shares a fair number of features but obviously missing some more advanced tech such as the sound switch selector. Sound quality is very nice, bass is good. And I had a nagging need to to push the FH5 deeper into my ears, while the FA7 required no adjustment. The information which appears on this site is subject to change at any time. The remaining 4 signatures are more focused on delivering enhanced treble or bass to mids and would be more based on your own listening preferences. First the basics. Ash is back with FiiO FH7 today! The FA9 is rated at 16-32Ω and 11dB SPL and relatively easy to drive from most sources. Technically it is a run below the FA7 and FA9. It also has a longer nozzle compared to the FH5 which does help a lot with tip selection. It sounds big, pretty impressive for a dual BA driver though you can definitely tell it is a BA driver with its lack of air pressure coming at you in waves at the sub-bass level. This is combined with a politer treble that injects a little less contrast into the FA7 instrumental and vocal timbre giving it a warm but softer sound. With the 16Ω setting, the noise floor was fairly easy to detect. In some ways, there is a legacy aspect from the FA7 with its smooth delivery but I find the FA9 technically superior in terms of clarity and with more headroom than its 5-driver counterpart. Like the FA9, it’s tuneable, but by changing nozzle filters instead of using a switch. Through optimizing the damping and internal structure, the air pressures at the front and rear cavities of the FH7 are balanced, relieving uneven pressure from your eardrums for greater comfort when listening. FiiO FH7 The FiiO FH7 is, again, a hybrid IEM, which follows the same footsteps, carved by the FH5. We thank FiiO for this opportunity. Compare to the FH7 which (now) sounds too boomy and slightly muddy, the SE846 is another story. This is due to the flush positioning of the connector at the far back of the shell combined with the smoothness of the shell itself. Underneath, on layer two, you get the expansive foam tip tray. The first is the level of bass bloom in the FA7 which is higher than the FA9, even with the strong bass switch selection on. The IT04 sounds too thin at times, whereas the FH7 performs fuller and tonality-wise more satisfying. There is a solid dip in the lower-mids, a mild bump for the vocal presence, and some clear but not an overly bright treble response. They differ vastly in presentation, with FH7 being clinical, aggressive and forward, more a W-shape. I’m a much bigger fan of the FA7 in this department. First of all, the driver housing fo the FH5 is a bit larger than the SE425. The FA7 hinted at this type of design with its grooved finish with a splash of red but it feels a little simplistic beside the FA9’s impactful faceplate. Probably the critical differences here focuses on the bass timbre and dip into the lower-mids of the FA9 combined with the shaping of the upper mids and treble of the FH7. The aesthetic on the FA9 is also a bit more dazzling with the diamond-cut silver finish whereas the FA7 opts for a slightly simpler design behind a ruby red polished resin finish. So, why a broad range and not a fixed impedance value? The dual HODVTEC-31618 woofer is connected to a long 80.6mm sound tube that FiiO claims is a quasi low-pass filter to help smooth out the bass response. FiiO are now fully wedded to MMCX and it is the new round bore connector system as opposed to the older flat brass plates. Mids are a mixed bunch with male vocals having a slight nudge but nowhere near as forward and focused as was the case with the FH7 and FH5. Combine that with a neutral source such as FiiO’s own M15 or the M11 Pro it has a far more articulate but drier quality to its presentation and less bloom creeping into those dipped lower-mids. The FA9 ditches the additional balanced single bore tip that came fitted out of the box on the FH7 and instead they have thrown on the medium SpinFit. Sound isolation is fantastic, and they feel perfectly molded to contours of my ears. FH7 is the king of the hybrids in FiiO’s stable, and has been a regular recommendation for a good IEM in the $500 region. I am also very aware that mathematics is infinite thus 9 can be 11 and 11 can be 13. Learn how your comment data is processed. Bass becomes more aggressive with a bit more bloom and aggressiveness, especially if you keep the impedance switch set for 16Ω. Only 11 left in stock - order soon. X. This is a warm and ‘close’ tuning with plenty of bass quantity. Returned due to being uncomfortable. The FA9 is a 6-driver all BA creation but all dual drivers with a 4-way crossover, 2 for the lows, 2 for the mids, and 2 for the highs. FiiO FH7 vs Final Audio B3-Final Audio B3 is one of the IEMs that's less talked about, but it is the most direct competitor to FH7, as it has a fairly similar signature, but a different design, and comes from a company that follows an entirely different philosophy from FiiO. Not quite. I have to go with a neutral or clean source with the FA9, more M15 than M11 which can sound a shade warmer and less resolving through the mids. It is also dead quiet for microphonics and the memory hooks seem not too stiff. I would suggest turning on the treble boost along with the bass boost to get a better balance overall between the lows and the highs on the FA9. When I was reviewing the FA7 I had the feeling of “almost there”, “almost perfect”, everything would start with “almost”, they were really nice, outstanding even on some parts but not extraordinary, they still had some quirks. Initially the sub-bass was not so pronounced as with the FH7, but then I tried the FiiO bass tips (adapted to the narrower SE846 nozzles with a small stem), the sub-bass is there; Now to stay. The FA9 has more of an upper-mids and treble lift, especially with the treble option activated. Like the FH5 and FH7, they are all in a single foam tray and labeled in terms of what they focus on for the single-bore silicone tips such as balanced, vocal, and bass. The treble isn't too high (which I have that problem with the S8Z) and sounds good. You get more warmth, possibly more quantity also, and definitely more mid-bass bloom with the FA9 BA drivers, even with the bass boost off. Opening this reveals the FA7 safely held inside a foam cut-out. $449.99. VS FIIO FA9 (500$) The FA9 is the new flagship multi BA earphones from FIIO, it use 6 Knowles drivers and a tuneable switch. Boy, I was blown away by the sudden clarity of those. You also get a cleaning brush and a small magnetic IEM cable organizer clip in an off-white color. With the 32Ω setting, there was a palatable reduction in noise and more useable volume also. Each termination on the stock cable has a clear ring for the left and red for the right to make it dead easy to connect each channel properly. I would suggest keeping the treble boost option on for the FA9 and the bass boost off if you enjoy the FH7 level of contrast but want something slightly more natural through the mids. Sure, the mute relay pop was a little duller with the higher impedance switch on but switching back and forth did not bring a huge change because it is already quite quiet for hiss to begin with. The vocal tips are still my number one for depth and seal whilst the SpinFits felt a bit too soft in my left ear and kept breaking the seal, even on the largest size. This is the same cushioned soft pouch you get with the FH5 and FH7. The FA9 contains pretty much everything that FiiO has already learned in the making of IEMs plus one or two new things they have not tried out before. Using with balanced cable. The FH5 is a 4-driver hybrid monitor consisting of a single 10mm PEK Polymer Nanocomposite dynamic driver and 3 balanced armature drivers. The FA9 comes across as the warmer of the two with slightly less contrast in the timbre through the mids and treble. The lightweight resin is super smooth and perfectly formed to fit fairly snugly in my ear without any undue pressure. In all instances, the impedance selector will also reduce or increase current demand, and thus volume levels will adjust accordingly. The sound quality is superb. The bass of both IEM’s is fast and controlled, while the FH7 has the upper hand in terms of detail. That is due to the new switchable sound signature of the FA9 which is a first for FiiO. The FA7 is the precursor or the next down from the FA9. The drivers in the FH5 are also different, using the older single ED30262 for the mids and a dual driver TWFK-31082 for the highs. This is not an aggressive treble. The sensitivity of the FH5 is fixed at 19Ω and 112dB SPL compared to the variable 16-32Ω and 11dB SPL of the FA7. Very comfortable. That means its sound is fixed rather than variable. The FA9 does have a core sound signature with the switches amplifying or reducing aspects of that curve selectively. But does that mean they conquer all? However, its improved airiness is easily noticeable and you do get a very light shimmer in the upper treble that was not there on the FA7. FiiO FH5 vs FiiO FH7 Comparison Review FIT. The biflange was actually more secure in my ear but the isolation just a shade behind the vocal tips. However, the FA9 has another trick up its sleeve. Fiio FH7 versus iBasso IT04: The iBasso IT04 has in general a transparent and neutral tonality, while the FiiO FH7 is also quite transparent but shows slightly more warmth. The FA7 actually sounds as voluminous but not quite as tight. Best sound ever? There are a couple of important differences and ones which mark out the FA9 as the better all-round performer to the FA7. They are, to extract the most intricate detail possible, and to provide an unfettered fun factor. I am sort of expecting an FA9 at some point though not sure when. The FH7 also does not have any switch settings for resistance variation or sound tweaking so the ratings are fixed at. The R5 will give it some oomph but on the whole, I do not think the FA9 needs anymore ‘oomph’. And judging from photos alone, you can already tell that the FA7 is the more ergonomic design. You can get away with this tuning for bright EDM where the treble can often be quite bright in the mix anyway. However, a lot of people still love its rich smooth sound and the price point is on the money for me in terms of value to performance. There is a change in the line-up from the FH7 tip selection, however. With the bass boost on and nothing else turned on, the FA9 has a more remote staging quality, less close but also a little safer for me in terms of a vivid exciting treble presence. It is honestly quite perfect, even compared to customs the ability to peer right into the mechanics of the FA9 is uncanny. The FH5 sound beyond the 2k marker can lack a little presence and though the tuning is not peaky it can sound brittle in comparison. Would recommend. For example, with the FA9 switched to 16Ω, which is the most sensitive level, I honestly did not hear much in the way of noise on FiiO’s own M11. The cable is heavy and the insertion too shallow. The FH7 components are machined from a CNC aluminum-magnesium alloy as opposed to a 3D printed resin. $449. FiiO FA9 là chiếc tai nghe thể hiện tham vọng của Fiio trong thị trường tai nghe in-ear universal cao cấp với 6 drivers, nhiều tùy biến, và đặc biệt hơn, Fiio FA9 cho phép người dùng điều chỉnh từ trở kháng cho đến bass/treble thông qua hệ thống dip switch mới. The BA drivers present plenty but in a politer manner whereas the FH7 drives it in. The additional bass weight and warmth also help fatten up low-end synth notes. The FA9 is a huge step up on the FA7 in terms of imaging. One other note is the finishing on the resin shell. The FH5 is the second in line on the hybrid side and just behind the FH7. Custom Knowles EJ BA driver, Ultra-long sound tube, Four-way crossover, DLP 3D printing, 8 strands of pure audio cable, MMCX connectors, SpinFit eartips, S.TURBO acoustic design, Aerospace-grade aluminum alloy, Etymotic Research ER3-SE In-Ear Headphones, Etymotic Research ER4-SR Studio Reference In-Ear Isolating Earphone, Etymotic Research ER4S-B In-Ear Headphones, Shure SE535-CL-E Premium Sound Isolating Earphones, Westone UM Pro 10 Single Driver IEM Earphones, Westone AM Pro 10 Single Driver IEM Earphones, Etymotic Research ER3-XR In-Ear Headphones, Etymotic Research ER4-XR In-Ear Headphones, RHA CL750 Noise Isolating Precision High Impedance In-Ear Headphones, Fiio FA1 Single Balanced Armature In-Ear Monitors, Tin Audio T3 Dynamic Hybrid driver In-Ear Earphones, Best Selfie Sticks to Capture the Best Moments. The FA9 is bigger but you will notice that in your ear due to the lightweight design. Soundstage is very wide and imaging is amazing. Giá của Fiio FA9 là 12.500.000, nhỉnh hơn Fiio FH7 … It is not a huge jump but you will notice it going back and forth. So, compared to the FH5 and FH7 it has a similar quantity and it does sound dense but still on the slightly polite side sub-50Hz in terms of impact. Now its desktop/portable and digital 2.1 audio on a rather nice laptop. With the impedance dropped or lower (switch on) the bass has increased presence and the overall tone is more colored with enhanced bass and treble contrast. The first enhances the sensitivity of the FA9 making it easier to drive and the second lowers impedance to help combat issues regarding noise floors on some sources. FiiO FH7. Beyond that, you get the smaller softer zip pouch for enhanced pocketability. When FiiO released the FH7, one of its standout features was the ability for the user to swap out various filters in order to alter the frequency response. Slide here to add your score on the gear. That dip in the lower-mids can be overshadowed a little by the elevated low-end so when it gets busy you get a little less clarity and instrumental presence than I would like. Though this time the labeling is cut into the form and black backing is quite hard to see compared to the white of the FH7 tray. There is also a little mesh on the lid to holds some tips and the filters. Not too long ago, I received the new FiiO M11 Portable Music Player along with the new FiiO FH7 IEMs and the new FiiO LC-4.4D 4.4mm to MMCX high-purity Monocrystalline Silver Litz IEM cable. On a side note, logically if treble boost is S1 up, the bass boost should have been S2 up also. For example, a saxophone solo on Rocha’s ‘Lies’ track from their 2017 Unum album sounds totally different on both monitors. This is also a variable impedance IEM with one of the switches allowing you to move between 16Ω and 32Ω to better adapt to your sources noise floor. While both use an all-BA 4-way crossover design their driver counts and types are different. The FA9 aesthetic it is more ambitious than the FA7 with a bigger form factor as a consequence of trying to fit in that long tubing, crossover switch block, and additional driver. For rock and percussion orientated work, I would suggest throwing on the treble boost to bring the treble forward a bit more to counter the even-harmonic bias on the low-end.